2011年7月2日星期六

2011年7月1日星期五

Babylon 5: In the Beginning [VHS]

Babylon 5: In the Beginning [VHS]
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Description

While the series pilot Babylon 5: The Gathering establishes the characters and introduces the conflicts that will become central to the series, it also draws upon a rich history that is continually alluded to but never fully explained. Babylon 5: In the Beginning, produced in the hiatus between the fourth and fifth seasons of the series, packs all that history--and more--into a prequel stuffed to the hatches with the epic doings of Earth, Minbar, Narn, and Centauri in the days before the Babylon stations were built. Told in almost fairy-tale fashion by Londo Molari to a pair of children, the movie explicates the ill-fated first meeting between representatives of Earth and Minbar, the devastating war, the sudden surrender, and the universe-altering secret of Jeffrey Sinclair. It also gives the early histories of characters who will become central to the series, in particular Londo and G'Kar. Ostensibly created to catch recent converts up with the series as it made its transition to a new network, the movie is infused with the epic sweep and storytelling confidence producer-writer Michael J. Straczynski and his cast and crew had developed by the fourth season. It's an elegant, compelling addition to the Babylon 5 universe and a dramatic highlight of the series. As an introduction, though, it gives away the mystery that pervades the shadowy history slowly revealed through the first three seasons--it's actually better seen from the vantage point of the fifth season. --Sean Axmaker

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Cabaret (25th Anniversary Special Edition) [VHS]

Cabaret (25th Anniversary Special Edition) [VHS]
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Description

Winner of eight Academy Awards, including Best Director (Bob Fosse), Best Actress (Liza Minnelli), and Best Supporting Actor (Joel Grey), Cabaret would also have taken Best Picture if it hadn't been competing against The Godfather as the most acclaimed film of 1972. (Francis Ford Coppola would have to wait two years before winning Best Director, for The Godfather, Part II.) Brilliantly adapted from the acclaimed stage production, which was in turn inspired by Christopher Isherwood's Berlin Stories and the play and movie I Am a Camera, this remarkable musical turns the pre-war Berlin of 1931 into a sexually charged haven of decadence. Minnelli commands the screen as nightclub entertainer Sally Bowles, who radiantly goes on with the show as the Nazis rise to power, holding her many male admirers (including Michael York and Helmut Griem) at a distance that keeps her from having to bother with genuinely deep emotions. Joel Grey is the master of ceremonies at the Kit Kat Klub who will guarantee a great show night after night as a way of staving off the inevitable effects of war and dictatorship. They're all living in a morally ambiguous vacuum of desperate anxiety, determined to keep up appearances as the real world--the world outside the comfortable sanctuary of the cabaret--prepares for the nightmarish chaos of war. Director-choreographer Fosse achieves a finely tuned combination of devastating drama and ebullient entertainment, and the result is one of the most substantial screen musicals ever made. --Jeff Shannon

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2011年6月30日星期四

Grumpier Old Men [VHS]

Grumpier Old Men [VHS]
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Description

The success of Grumpy Old Men made this 1995 sequel practically mandatory, and although it's not much more than a Grumpy retread, the same schtick is just as funny the second time around. Jack Lemmon and Walter Matthau reunited as the Minnesota neighbors who make a hobby out of mutual aggravation, but while Lemmon's married (to Ann-Margret), this time it's Matthau who's looking for love. He finds it when Sophia Loren arrives to open an Italian ristorante on the site of Jack and Walter's favorite bait shop, but only after the grumpy guys have done their best to stop the ristorante from opening. The impending wedding of Kevin Pollak (as Matthau's son) and Daryl Hannah (as Lemmon's daughter) puts love in the air, so it's not too long before Matthau and Loren are singing "That's Amore." And Burgess Meredith (in one of his final screen roles) returns as Lemmon's saucy old father, who gets all the best lines and delivers them with lusty vigor. --Jeff Shannon

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2011年6月26日星期日

The Blues Brothers [VHS]

The Blues Brothers [VHS]
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Description

After building up the duo's popularity through popular recordings and several performances on Saturday Night Live, John Belushi and Dan Aykroyd--as "legendary" Chicago blues brothers Jake and Elwood Blues--took their act to the big screen in this action-packed hit from 1980. As Jake and Elwood struggle to reunite their old band and save the Chicago orphanage where they were raised, they wreak enough good-natured havoc to attract the entire Cook County police force. The result is a big-budget stunt-fest on a scale rarely attempted before or since, including extended car chases that result in the wanton destruction of shopping malls and more police cars than you can count. Along the way there's plenty of music to punctuate the action, including performances by Ray Charles, Aretha Franklin, Cab Calloway, and James Brown that are guaranteed to knock you out. As played with deadpan wit by Belushi and Aykroyd, the Blues Brothers are "on a mission from God," and that gives them a kind of reckless glee that keeps the movie from losing its comedic appeal. Otherwise this might have been just a bloated marathon of mayhem that quickly wears out its welcome (which is how some critics described this film and its 1998 sequel). Keep an eye out for Steven Spielberg as the city clerk who stamps some crucial paperwork near the end of the film. --Jeff Shannon

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Apostle [VHS]

Apostle [VHS]
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Written, directed, and personally financed by Robert Duvall, The Apostle was the culmination of a 14-year effort on the part of its creator, who also stars as the dynamic, God-fearing Texas preacher Euliss "Sonny" Dewey. Vibrantly authentic with its use of real gospel preachers and extras carefully selected from parishes of the deep South, the film treats its complicated characters with the kind of compassion and moral complexity mainstream Hollywood wouldn't dare muster. This is especially true in the case of Sonny, who responds to his wife's infidelity with a crime of passion that sends him on a new and uncharted quest for redemption. Under the assumed identity of "The Apostle E.F.," he settles in a tiny Louisiana town to revive an old church, where he undergoes a transformation of spirit and purpose that enlivens his community. But will the law catch up to him? Does he deserve to be punished? Fueled by Duvall's powerhouse performance, The Apostle refuses to praise or condemn its fascinating central character, leaving the proper degree of forgiveness up to the viewer. Further graced with superb performances by Farrah Fawcett, Miranda Richardson, and Billy Bob Thornton, the film is clearly Duvall's labor of love. --Jeff Shannon

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Blues Brothers [VHS]

Blues Brothers [VHS]
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Description

After building up the duo's popularity through popular recordings and several performances on Saturday Night Live, John Belushi and Dan Aykroyd--as "legendary" Chicago blues brothers Jake and Elwood Blues--took their act to the big screen in this action-packed hit from 1980. As Jake and Elwood struggle to reunite their old band and save the Chicago orphanage where they were raised, they wreak enough good-natured havoc to attract the entire Cook County police force. The result is a big-budget stunt-fest on a scale rarely attempted before or since, including extended car chases that result in the wanton destruction of shopping malls and more police cars than you can count. Along the way there's plenty of music to punctuate the action, including performances by Ray Charles, Aretha Franklin, Cab Calloway, and James Brown that are guaranteed to knock you out. As played with deadpan wit by Belushi and Aykroyd, the Blues Brothers are "on a mission from God," and that gives them a kind of reckless glee that keeps the movie from losing its comedic appeal. Otherwise this might have been just a bloated marathon of mayhem that quickly wears out its welcome (which is how some critics described this film and its 1998 sequel). Keep an eye out for Steven Spielberg as the city clerk who stamps some crucial paperwork near the end of the film. --Jeff Shannon

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